Recently I listened to a film podcast in which the two hosts listed their 5 "Desert Island Directors". The concept being if they were stranded on a desert island, and could have the entire filmography of only 5 directors available to them to watch, who would they be?
What I thought was interesting was that more than just what your favorite movies had to be considered. Just because you love "Ace Ventura: Pet Detective" doesn't mean you want the rest of Tom Shadyac's filmography with you. The number of films a person has made and whether all of those movies were ones you enjoyed were the main thinking points.
It made me think about my own list. Films are such a personal thing to me, so much more than just entertainment, so it was very difficult to narrow it down and truly consider which director's works would I be okay with losing and which I couldn't put on the chopping block. I don't think the list is perfect, so there will be honorable mentions at the end. Also, I cheated and put two directors in one spot as a tie . . . because it is my list, it is just for fun, and ultimately it is not important.
So, here they are, in no particular order . . .
1. Stanley Kubrick
It was a night class my sophomore year of college that made me fall in love with Kubrick's films. Watching every film in his filmography, a tragically short list, revealed a brilliant artist and an increasingly dismal worldview. But even if the social commentary was bleak and unforgiving, there was always a way in for me. Something grabbed me, and it was probably the combination of magnificent images coupled with intelligent and gripping story telling. Plus, these movies have a wonderful, dark sense of humor . . . which I love. Nothing is funnier to me than the President of the United States sharing pleasantries with the Russian leader under the cloud of nuclear annihilation in "Dr. Strangelove".
If I had these movies on the island I would also get some of the greatest movies ever made in many of the film genres; war, science fiction, period drama, comedy, and (my favorite) horror. I would have plenty of time to watch "2001: A Space Odyssey" and just let it wash over me and temporarily erase my reality.
This is one filmmaker that I wish would have made more films, but I am grateful that I have these to enjoy.
Filmography:
1953 Fear and Desire
1955 Killer's Kiss
1956 The Killing
1957 Paths of Glory
1960 Spartacus
1962 Lolita
1964 Dr. Strangelove
1968 2001: A Space Odyssey
1971 A Clockwork Orange
1975 Barry Lyndon
1980 The Shining
1987 Full Metal Jacket
1999 Eyes Wide Shut
2. Alfred Hitchcock
I really only need to name one movie to make my point clear, "Psycho". But the fact that he made so many more films (the majority of which I still need to see), and all of the others that I have seen I have enjoyed immensely.
North By Northwest: Great fun.
Lifeboat: An amazing wartime allegory.
The Birds: C'mon . . . it's the birds.
But, it's not just that he has made classics that I chose to bring his filmography to the island. It's that his films are also a blindspot to me. He has made so many that I have not seen, and it would be nice to have new experiences on this island. Plus, I trust that he did not make a bunch of stinkers, so I doubt when a watch a "new" Hitchcock film I will be disappointed.
Filmography
1923 Always Tell Your Wife
1925 The Pleasure Garden
1927 The Lodger: A Story of the London Fog
1927 The Ring
1927 Downhill
1928 The Farmer's Wife
1928 Easy Virtue
1928 Champagne
1929 The Manxman
1929 Blackmail
1930 Juno and the Paycock
1930 Murder!
1930 Elstree Calling
1931 The Skin Game
1931 Mary
1931 Rich and Strange
1932 Number Seventeen
1934 Waltzes from Vienna
1934 The Man
Who Knew Too Much
1935 The 39 Steps
1936 Secret Agent
1936 Sabotage
1937 Young and Innocent
1938 The Lady Vanishes
1939 Jamaica Inn
1940 Rebecca
1940 Foreign Correspondent
1941 Mr. & Mrs. Smith
1941 Suspicion
1942 Saboteur
1943 Shadow of a Doubt
1944 Lifeboat
1944 Aventure Malgache
1944 Bon Voyage
1945 Spellbound
1946 Notorious
1947 The Paradine Case
1948 Rope
1949 Under
Capricorn
1950 Stage Fright
1951 Strangers on a Train
1953 I Confess
1954 Dial M for Murder
1954 Rear Window
1955 To Catch a Thief
1955 The Trouble with Harry
1956 The Man Who Knew Too Much
1956 The Wrong Man
1958 Vertigo
1959 North by Northwest
1960 Psycho
1963 The Birds
1964 Marnie
1966 Torn Curtain
1969 Topaz
1972 Frenzy
1976 Family Plot
3. John Carpenter
I love me some horror, and John Carpenter has made some of the greatest horror movies of all time. You can't beat "The Thing", the stifling paranoia, the amazing creature effects, and the fun in watching it all slither it's way across the screen.
I think "fun" is good way to describe most, if not all, of John Carpenter's movies. Regardless of how dark they are ("Halloween"), or what message is being put out there (for example the comment on the sometimes unsavory history of the formation of the U.S.A. in "the Fog"), it is all fun to watch.
I can watch "They Live" over and over and revel in the great one liners ("I came here to kick ass and chew bubble gum, and I am all out of bubble gum") but also appreciate the not so subtle theme of commercialism in society.
As time went on his films gained in their crazy momentum, and eventually became lacking, but there will always be something in each movie to appreciate. I am grateful that there will always be the simply sinister beauty of "Halloween" to fall back on.
Filmography
1974 Dark Star
1976 Assault on Precinct 13
1978 Halloween
1980 The Fog
1981 Escape from New York
1982 The Thing
1983 Christine
1984 Starman
1986 Big Trouble in Little China
1987 Prince of Darkness
1988 They Live
1992 Memoirs of an Invisible Man
1995 In the Mouth of Madness
1995 Village of the Damned
1996 Escape from L.A.
1998 Vampires
2001 Ghosts of Mars
2010 The Ward
4. Guillermo Del Toro
I love the Grimm's Fairy Tales. And, not in their white washed, "safe for children" versions. The original Grimm's Fairy tales were creepy, wicked, violent tales that truly were meant to scare kids straight. Although, the unfair depiction of Step Parents is a tad problematic. I feel as though Guillermo Del Toro is continuing in the Grimm vein, and creating some of the most beautiful and terrifying modern fairy tales ever told.
Mostly what I am referring to is his Spanish language films. "Cronos", "The Devil's Backbone", and "Pan's Labyrinth". All three of these movies delve deep into the dark corners of humanity and ultimately find hope in it as well. Plus, he knows how to creep a fella out. The Pale Man in "Pan's Labyrinth" has got to be, hands down, one of my favorite things I have seen in a film, and he is entirely disgusting and disturbing.
In addition to these, he has made some pretty great high budget movies that meld genres and turn up the fun to 11. I love the "Hellboy" movies, and not just because it is my favorite comic, those are great movies. "Pacific Rim" may not be that great a movie, technically, but looking past some of the hokey writing and what not, I find it entirely watchable and have seen it a couple times now, liking it even more as I see it more often.
Hopefully on this desert island I can watch Crimson Peak somehow . . . otherwise, I am going to do some serious pouting.
Filmography
1993 Cronos
1997 Mimic
2001 El Espinazo del Diablo (The Devil's Backbone)
2002 Blade II
2004 Hellboy
2006 El Laberinto del Fauno (Pan's Labyrinth)
2008 Hellboy II: The Golden Army
2013 Pacific Rim
2015 Crimson Peak
5 (part I). Ti West
So here is part one of my cheat. I figure since these last two filmmakers have shorter filmographies, I would have plenty of room to bring all of their movies. The first, is Ti West.
I have only seen three of the six movies he has made, but based on the strength of those three movies he has to be on the list. "The House of the Devil", "The Innkeepers", and "The Sacrament".
I will watch "The Innkeepers" at any time. It is just a classic ghost story told with intelligence and wit. It does not rely on cheap jump scares to keep you intrigued, and builds suspense through expert character development and subtle sounds and moments. Until, of course, all hell breaks through towards the end and fear is the only thing you feel for the final act of the film. My favorite scene is one in which the main character is doing an audio recording, trying to catch ghostly sounds. Eventually, whispers come through barely audible, and piano music floats into the recording device. The character finds her way to the piano in the lobby to find no one playing and the music stops. She approaches the piano, tension building with each step, and finally a deep/loud low note is pressed into the keys. The shock of the moment is palpable and just a classic horror moment.
His other films rely on the same slow tension build, and are also amazing in their own right. But, really, I just want to watch "The Innkeepers" on repeat.
Filmography
2005 The Roost
2007 Trigger Man
2009 Cabin Fever 2: Spring Fever
2009 The House of the Devil
2011 The Innkeepers
2013 The Sacrament
5 (part II). Jeff Nichols
I have seen all of Jeff Nichols' movies, except "Midnight Special" because it has not been released yet, and love each of them. I saw "Shotgun Stories" because I had heard about it on a film podcast I listen to (the same that inspired this list) and was blown away. It tells the story of feuding half brothers and is gorgeous and heart wrenching.
Then, I saw "Take Shelter". The story revolves around a man who begins to see visions of storms and has intense nightmares about anonymous people trying to steal his family, and of people whom he loves trying to hurt him in some way. Because he sees these storms, he begins the build out the tornado shelter in his back yard. I connected immediately with the main character as he is a man that only wants to protect his family, the people he loves, and he will do whatever it takes. Even if it seems irrational or downright insane. The nightmare sequences are really disturbing, and there is a scene at a Lion's Club dinner that just floored me with it's emotion and intensity.
Ultimately I think Jeff Nichols is telling truly original tales grounded in emotional honesty. They are simple stories, told beautifully and in a way that feels timeless.
Filmography
2007 Shotgun Stories
2011 Take Shelter
2012 Mud
2014 Midnight Special
Honorable Mentions:
Ridley Scott: "Alien", "Prometheus", "Blade Runner". It hurts me to no end to loose those movies, but there are 32 other ones that I don't really need to watch again.
Steven Spielberg: I can not believe I would never be able to watch "Jaws" ever again, which is one of my top 5 all time favorites. And, "Jurassic Park"? C'mon! "Saving Private Ryan" is a classic, despite the unnecessary bookends. But, I refuse to watch "War Horse" . . . and "E.T." can eat my Reese's Pieces.
David Fincher: This was a very hard one to leave off. Other than the "Curious Case of Benjamin Button" I have loved or liked all of Fincher's films. From the underrated "Alien 3" to the modern masterpiece that is "Zodiac", I think he lost out just because I feel a more personal/emotional connection to the other films/filmmakers that made my list.
David Lynch: I will already be marooned alone on a desert island, I don't need Lynch's movies assisting me in loosing my grip on reality. Although, I love "Twin Peaks" (I know, it's a TV show), "Lost Highway" was incredible, and "The Straight Story" and "Elephant Man" make me cry.
Tobe Hooper: "Texas Chainsaw Massacre" . . . that's it. I will miss this movie so much.
Wes Anderson: I am a bit of an Anderson apologist, although I just can't get behind "Moonrise Kingdom". "Rushmore" still makes me laugh so hard ("Unlock it!"), and I am on of the few folks who really likes "The Life Aquatic with Steve Zissou". But, I think he lost out only because there isn't much tonal variety to his films, and I am planning on having some fairly wild mood swings these movies will have to match.
Christopher Nolan: Not only do I adore the "Dark Knight" trilogy, I enjoy all of his other films as well. I think his remake of "Insomnia" is pretty underrated. I just don't connect emotionally with many of his movies, and that was the deal breaker.
Tim Burton: If I had made this list in high school, Burton would have been #1. Regardless of how much I love "Ed Wood", "Edward Scissorhands", and "Peewee's Big Adventure" (plus a few others), his recent filmography has been far less satisfying to me, so I guess I will never get to watch Bela Lugosi swear like a sailor . . . and that is a shame.
George Romero: "Night of the Living Dead", "Dawn of the Dead", and "Day of the Dead" are historically important, as well as amazing films. Watching a zombie ride a horse in "Survival of the Dead", exponentially less so.
Terry Gilliam: I love Monty Python, and if I had included Mr. Gilliam I would have at least one Python movie represented, "Holy Grail", (even though I like "Life of Brian" more). Plus, I would get to watch "Brazil" as much as I want, and a bunch more movies that I like quite a lot. To be honest, I am not sure why he isn't on the list. But, he isn't, so don't make a big thing of it.
In Conclusion:
It was fun for me to think about my favorite films and really have to decide which films meant the most to me. I hope it was fun to read about it . . . even though it was poorly written and, ultimately, pointless. It is a relief that I will never have to be in the situation to choose. And just to be sure, I will never load a sail boat with movies, a TV, and a blu-ray player and try to circumnavigate the world.
Crisis averted. I am going to watch a movie.
George Romero: "Night of the Living Dead", "Dawn of the Dead", and "Day of the Dead" are historically important, as well as amazing films. Watching a zombie ride a horse in "Survival of the Dead", exponentially less so.
Terry Gilliam: I love Monty Python, and if I had included Mr. Gilliam I would have at least one Python movie represented, "Holy Grail", (even though I like "Life of Brian" more). Plus, I would get to watch "Brazil" as much as I want, and a bunch more movies that I like quite a lot. To be honest, I am not sure why he isn't on the list. But, he isn't, so don't make a big thing of it.
In Conclusion:
It was fun for me to think about my favorite films and really have to decide which films meant the most to me. I hope it was fun to read about it . . . even though it was poorly written and, ultimately, pointless. It is a relief that I will never have to be in the situation to choose. And just to be sure, I will never load a sail boat with movies, a TV, and a blu-ray player and try to circumnavigate the world.
Crisis averted. I am going to watch a movie.